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An appliqué monogram style offers the opportunity to use any fabric - patterned, floral, or plain - and achieve a totally different look each time. This one has a playful rounded satin stitch outline.
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This appliqué monogram style has nice wide columns, and an upright appearance. It lends itself to use with straight or geometric fabrics, but you can choose whatever appeals to you.
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Applique monograms seem to be increasingly popular lately. This style is simple and geometric, finished with a satin stitch outline. Any fabric from plain to patterned is appropriate.
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This appliqué monogram style is based on an Art Nouveau lettering style from the early 1900s. With wide satin stitch columns this is an easy style to use as appliqué, but also looks great without appliqué - white on white on towels. Just skip the color changes.
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A large-scale script monogram style. One-color graceful letters from the 1930s create an aura of luxury and sophistication.
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Taken from 19th century artwork, this monogram style is done in graceful satin stitches. The swirling letter style can be used as a single letter monogram on formal napkins, or combined in dramatic two and three-letter monograms on linens.
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part II" by Richards Jarden, Designs in Machine Embroidery magazine, November/December 2007.
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Taken from artwork from 1940, this style is done as a satin stitch monogram. The letters are upright with dramatic swirl details. The larger letters are intended to be flanked by the smaller letters for three-letter monograms, but can also be used alone. This timeless style is great on linens, and can be enlarged significantly within your embroidery software program for use on shower curtains and chair backs.
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The flowing swirls of this classic monogram style are done in satin stitch with ample underlay to create a rounded look. The letters in this single-initial monogram style are framed by an arc on either side, done in two colors. Within the satin stitch border are areas of seed stitch, which add a luxurious texture as a counterpoint to the satin stitching. The letters can be used without the border by stopping your machine after the first color, or deleting the brackets in your embroidery software program.
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This gorgeous monogram style was digitized from artwork drawn in 1900 for professional hand monogrammers. We have digitized the small ornamental extensions as candlewick stitches, and the rows of embellishments within the letter borders as wing-needle stitches with an open center. Pictured here in several colors, this style looks spectacular white-on-white.
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part III" by Richards Jarden, Designs in Machine Embroidery magazine, January/February 2008 and March/April 2008.
This style is featured in "Hang Out" by Carol Zentgraf, Creative Machine Embroidery magazine, July/August 2008.
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A luxurious French monogram style, from the 1920s. Each letter has a curling tail, and is done in satin stitch. Used either as a graceful single letter monogram, or combined and overlapped for dramatic effect. This style looks sophisticated in any color scheme.
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A flowing vertical style - not too feminine, not too masculine. This satin stitch monogram style is digitized from 19th Century artwork. Good choice for linens. A very much enlarged style - 8 or 9 inches - would look great on a shower curtain or pillow.
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There are left, middle and right versions of each embroidered letter, and in addition to the satin stitch letter each contains a section of a satin stitch swag, accented with candlewick stitches. Aligning the candlewick stitches in your embroidery software program will produce a continuous swag and a three-letter monogram. The center letter has an additional open ring detail at the top, and can be used alone. The artwork for this style is from the 1920s.
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This two-color monogram style is a recreation from the late 1930s.The background shading is composed of overlapping satin stitches, and the letter itself is a thin satin stitch - this style is equally elegant on linens in colors or tone-on-tone. Several of the letters were pictured in a 1938 article in "House Beautiful", and from those we were able to imagine the rest.
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A three-letter monogram in this style can be composed as a square or a diagonal arrangement - or align smaller size letters with a larger size letter flipped on its side. The fill is satin stitch, split into two sections with mitered corners, and with a thin satin stitch border. This three-color design can be simplified by sewing the letters with only one or two thread colors. This monogram style has a masculine quality.
This style is featured in "Hobknobbing" by Betsy Dubicki, Creative Machine Embroidery magazine, May/June 2003.
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This is a crisp and simple style from the 1940s. A combination of three letters, plus companion borders will create a square monogram. This style looks great on linens and towels, and can also be used for fashion sewing on a scarf or for an eye-catching embellishment on a jacket. While a standard monogram traditionally shows the last name initial as the largest, this style is designed to have that initial placed on the right.
Not everyone has three initials, so in addition to the combined triple border, we have included each of those three lines as an individual design, which will make it easy to create single letter and two-letter monograms.
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Taken from 1940s artwork, the letters are done in satin stitch. The monogram set includes a grouping of three dot accents, digitized to simulate a wing-needle look with a hole in the center of the circle. This versatile style can be used in a variety of arrangements - letters on a diagonal with the dots used as caps, on a baseline with the dots as flanking elements, or on a center line.
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Digitized from artwork produced in Germany in 1929, when stylish display typefaces were the seals of modernity. This monogram style is digitized for appliqué, with a running stitch for position, and a light density zig-zag stitch for tack-down. These two elements are covered by satin stitch columns. This style is equally striking in one color without the appliqué.
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This monogram style is digitized from American Arts and Crafts linotype styles from the 1920s. The letters are wide satin stitch, with a thin satin stitch outline as a border. The designs can be sewn with our without the border.
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The western alphabet is given an asian flavor in this monogram set. The satin stitch letters can be used alone or combined as a two-letter monogram. Either version can be enclosed within a satin stitch border - three border sizes are included.
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Although the artwork for this style comes from French handwork monogram patterns from the 1930s, this could just as easily be a contemporary design in a James Bond or a Kung Fu film. The letters are large and are executed in satin stitch with ample underlay to give plenty of lift. The wide satin stitch fill area has been split into two columns to provide plenty of durability and a sophisticated look.
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The voids in the one-color fill pattern create roses - the pattern is different for each letter. Large, 1930s-inspired monogram letters look wonderful on linens, garments or special projects.
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This unusual monogram style is digitized from artwork from 1934. The satin stitch oval, with interior thorn shapes, is joined with graceful, theatrical letters. A matching alphabet style occupies the upper space - the combination of the two creates a vertical monogram that evokes classic pre-war style and elegance. The monogram may be sewn all in one color, and the letters can be used alone, without the background shape.
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Digitized from artwork from 1937, this monogram set combines thin vertical satin stitch letters with a festive border that is basically geometric, but with a bit of extra flare in the longest brackets - knobs at the ends. The brackets can be sewn in two colors as shown, with contrasting letter color, or everything can be sewn in one tone-on-tone color. Great for napkins.
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Handwork monograms from the 1920s and 1930s often combine a central outline initial with flanking smaller initials done in satin stitch. This style, taken from artwork originally produced in Europe for professional hand embroiderers, uses a center letter with shading details. The small ring-shaped corner detail creates a very classic look that is just as interesting white-on-white.
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This luxurious monogram style combines two-color central letters with satin stitch flanking letters and scrolled satin stitch corner brackets. The unusual fill in the larger letters is accomplished with a meandering vermicelli stitch -each stitch is digitized by hand. The result has a texture like chenille, and is finished with a thin satin stitch border.
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A large flamboyant two-color monogram style! The dark outline has underlay stitching so it can be used by itself, or use the letters without the border (or sew both in the same thread color) - lots of creative variations are possible.
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Suggested by a dedicated sewing enthusiast - buttons of different sizes in various groupings create these monogram letters. A must for sewing devotees! Six colors - the colors can be coordinated to match your sewing outfit.
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A French handwork monogram style from the 1870s, with digitized candlewicking details. This two-color design looks equally vibrant and traditional sewn tone-on-tone with one thread color.
The Candlewick Monogram Set was developed in collaboration with Susan Schrempf and Gail Tibbetts.
This monogram style is used in the Cover article "Fleece with Flair!" by Sandra Clark - Designs in Machine Embroidery magazine, January/February 2005.
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Traditional 18th century highly detailed satin stitch monogram letters composed of intertwining elements, digitized in one color. These letters can also be used as compelling abstract designs - align repeats of the letter "I" to make a decorative border, rotate the letter "C" 90 degrees, then copy several times and join the points - endless possibilities.
This style is featured in "Snowy Night Quilt" by Sandra Clark, Designs in Machine Embroidery magazine, September/October 2005.
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Paris in the 1930s - a truly international city that embraced art and culture from around the world. This monogram style from 1933 has an oriental flavor, stylish and elegant. This playful style would be perfect on chiffon pajamas.
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A true classic monogram, from the 1950s - think "circle pins", cashmere sweaters." Merge designs to create any combination of three letters, then surround them with the optional circular border. The letters and the circle are elegant satin stitches. Great on towels, linens, high-fashion garments, scarves, etc. Endless possibilities!
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This style looks perfect for a modern child's monogram, so you may be surprised to learn that it's an Art Deco style from the 1930s. Digitized with satin stitch letters and a two-color satin stitch border, the letters can be used alone by skipping the first two colors.
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Digitized from artwork from 1939, this monogram set molds each letter into a circular shape. The satin stitch letters include curls and embellishments - an elegant formal style.
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The artwork for this monogram style is from 1938. It is a blend of old world (open ladderwork borders) and new world (a simple contemporary letter style).
For a true cutwork effect, use heavy-duty water soluble stabilizer. This style is just as attractive without the open ladderwork, or the borders can have a fabric insert if executed as appliqué.
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Another monogram classic, this one from the 1950s. Merge designs to create any combination of two letters, then frame them with the corners to complete the Diamond shape. The letters and corners are elegant satin stitches with ample underlay to produce a full appearance. Great on towels, linens, scarves, etc.
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In the 1930s and 40s, department stores like Woolworths sold iron-on transfer patterns for a wide variety or subject matter, including monogramming. The patterns could be transferred to fabric with a hot iron, and the pattern then used for hand embroidery. This style is based on one of those patterns. In addition to creating a three-letter diamond monogram, the smaller left and right flanking letters can be used together to create a two-letter diamond shape.
This style is featured in "Simply Napkins" by Gail Brown and Mary Mulari, Krause Publications, 2003.
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A three-letter diamond monogram is one of the all-time classic styles. This one is based on a vintage 1940s iron-on transfer pattern - sold in department stores for 15 cents. The appropriate left, middle, and right initials are combined within your embroidery software program, along with four corner brackets, to create your own timeless monogram.
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The artwork for this monogram style is French, from 1936. Each letter is cleverly adapted to create a diamond shape, and done in satin stitch. These are intended as single-initial monograms for use on napkins, linens, or fashion accessories.
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A graceful old-fashioned monogram style, designed to create three-letter combinations that form an oval shape.
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A complex vine background, different for each letter, sets off these block monogram letters with contrasting border. This graceful 19th century style can be simplified by not sewing the first color.
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Although this monogram style might typically be called "Old English" it comes from a continental source, so it would more accurately be called "Old French." The letters are done in satin stitch with underlay designed to give a dimensional rounded quality.
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This monogram style is digitized from artwork published for hand embroiderers in 1869. The satin stitch letters are embellished with an overlapping satin stitch binding that simulates a knot. We first saw handwork examples of this style while on a research trip to the Embroiderer's Guild in England.
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This monogram style is perfect for that precocious child or grand-child on your gift list. Done in satin stitch with ample underlay - great on lots of things, from tote bags to towels. Create a special monogram for your favorite kid - or for the kid in you.
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This monogram style, based on artwork from 1864, is done in 3mm wide satin stitch. The elaborate intertwining loops and straight sections are reminiscent of carefully crafted architectural ironwork.
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Although the artwork for this monogram style is from the late 19th Century, and the letters would be perfectly at home in an ancient setting, they have an irresistably contemporary side - like little animated characters. The A has a bouncy optimism, the K is a little shy. Letters are filled with a manual seeding stitch, and completed with a satin stitch outline.
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It's hard to find monogram styles with very wide columns, and even harder to find them done in a traditional way - satin stitch - rather than as a flat fill pattern. The artwork for this style is from the 1940s, and we have split each column into two parts for an unusual visual effect.
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From the 1940s, this monogram set is sleek, smooth, and thin. The satin stitch details are slightly fluted, widening gradually - reminiscent of elegant champagne glasses.
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The fill pattern in each letter of this monogram is formed from signal flags from the international flag code which represent the letter. The flags have fill stitches with running stitch borders and details. Digitized for appliqué, each letter has a two-color border. Perfect for boaters (lake or ocean.)
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This monogram style came from an iron-on transfer pattern from the 1940s. It is intended for the creation of a three-letter oval shaped monogram, accomplished by merging the appropriate letters from left, middle, and right versions. The center letter can be used alone for a single letter monogram. The designs are digitized in satin stitch with ample underlay for use on towels or fleece.
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This architectural monogram style is european in origin. The wide satin stitch letters feature a split satin-stitch fill pattern, with delicate satin-stitch scrollwork in the background, giving an elaborate shadow effect. The letters can easily be used alone by skipping the first color scrollwork.
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This monogram style is taken from one of the vintage monogrammed hankies in our Monogram Museum collection. The rounded satin stitch letters with curling Romanesque details are surrounded by an intricate flower and vine border, done in satin stitch, with a bow at the bottom. Although done as a two color design, this monogram looks wonderful when sewn white-on-white in all one color. The letters can be used alone by skipping over the border design.
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This monogram style is digitized from artwork from the 1930s. It consists of a 5 color decorative crest design, done in satin stitch with manually digitized fills for the two stylized flowers. The crest surrounds satin stitch letters that have different versions for left and right for use in two-letter monograms. The letters can be used without the crest.
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Inspired by the great typography designer J. M. Bergling (1866-1933) this fluid satin stitch nonogram style can be used with or without the brackets that complete the circular motif. Left, middle, and right versions of each letter are included, along with an additional placement template design.
A note about interlocking letters - a true interlocking three-letter monogram can only be achieved by custom digitizing. There are 17,576 possible combinations of three letters.The monogram pictured here is achieved by overlapping the letters. Where one letter passes over another, we suggest that some stitches be edited manually in your software to create the smoothest result.
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Rustic" doesn't have to mean "crude". In American architecture, country living and Art Deco styling came together in National Park Service buildings in the 1920s. This monogram style, done in satin stitch, is digitized from artwork of the period.
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This festive monogram style, with oriental lantern embellishments, has a light and modern feeling - so you may be as surprised as we were to learn that the artwork is French, and was drawn in 1859. The lanterns are filled with manual seed stitches, and the Asian-inspired letters are done in satin stitch.
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These are decidedly modern monogram designs. This upbeat style has a musical quality - you can almost hear the beat! Wide satin stitch columns, split in half for enhanced sewing quality, are great on towels, fleece, sweaters - anything that teenagers use.
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We acquired a style book from an old monogram shop that went out of business. The book contains examples of the shop's offerings, showing only a few letters for each style. We were intrigued by a variation on a geometric triangle - this one has curling script letters that can be arranged in a three- letter triangle form, with brackets to accent the triangle shape. We recreated the rest of the alphabet, digitizing the letters in satin stitch. An outline template design is also included to make it quick and easy to place the letters when merging them in your embroidery software program.
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This monogram style has a charming young feminine quality - the curly 3 color border compliments the initials with their long curling tails. We have pictured two-letter monograms, but the initials can also be used individually, and enlarged within your embroidery resizing program if you prefer.
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In the late 19th Century, novelty monogram styles were very popular. The "rustic" life was celebrated even by people who had never been to the woods. In this style, digitized from historic artwork from the period, all of the letters are composed of twigs and leaves.
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Great for towels, the letters in this one-color monogram style have little horns and ears, and a distinct personality - also very elegant on white linens, sewn with white thread.
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Delicate, upright satin stitch monogram letters, with crossbars and flared feet and tops. A very elegant 1890s style.
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This monogram style is adapted from a 19th Century handwork pattern - we found the artwork in the British Library in London. The circular accents create a unique look when combined with the flowing script style. All of the elements are done in satin stitch.
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This satin stitch monogram style is large and great on linens and towels. It also looks quite modern, espite the fact that the artwork, which we found in Europe, was published in 1872 - more than 130 years ago!
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part I" by Richards Jarden, Designs in Machine Embroidery magazine, September/October 2007.
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This monogram style, with its wide satin stitch columns and open circle embellishment, has a fresh, festive quality. The artwork is from the early 20th Century. We have used extra underlay to give the columns a special rounded look.
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This is an unusual monogram style for the active embroiderer. Each letter is a silhouette of one or two figures creating the shape of the letter by bending and stretching into graceful positions. The designs are created from satin stitches, and present the figures with sculptural detail. Two sizes are provided - create a unique monogram to wear to your next exercise class.
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