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This appliqué monogram style is based on an Art Nouveau lettering style from the early 1900s. With wide satin stitch columns this is an easy style to use as appliqué, but also looks great without appliqué - white on white on towels. Just skip the color changes.
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A wonderful two-color traditional monogram style! The vines behind each letter are different. Try sewing the vine pattern with variegated thread for a softer antique quality. Simplify the look by skipping the first color or use the vines without the letters as embellishments around buttonholes, etc.
This style is featured in "Hobknobbing" by Betsy Dubicki, Creative Machine Embroidery magazine, May/June 2003.
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A large-scale script monogram style. One-color graceful letters from the 1930s create an aura of luxury and sophistication.
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Taken from 19th century artwork, this monogram style is done in graceful satin stitches. The swirling letter style can be used as a single letter monogram on formal napkins, or combined in dramatic two and three-letter monograms on linens.
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part II" by Richards Jarden, Designs in Machine Embroidery magazine, November/December 2007.
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Taken from artwork from 1940, this style is done as a satin stitch monogram. The letters are upright with dramatic swirl details. The larger letters are intended to be flanked by the smaller letters for three-letter monograms, but can also be used alone. This timeless style is great on linens, and can be enlarged significantly within your embroidery software program for use on shower curtains and chair backs.
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This gorgeous monogram style was digitized from artwork drawn in 1900 for professional hand monogrammers. We have digitized the small ornamental extensions as candlewick stitches, and the rows of embellishments within the letter borders as wing-needle stitches with an open center. Pictured here in several colors, this style looks spectacular white-on-white.
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part III" by Richards Jarden, Designs in Machine Embroidery magazine, January/February 2008 and March/April 2008.
This style is featured in "Hang Out" by Carol Zentgraf, Creative Machine Embroidery magazine, July/August 2008.
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A luxurious French monogram style, from the 1920s. Each letter has a curling tail, and is done in satin stitch. Used either as a graceful single letter monogram, or combined and overlapped for dramatic effect. This style looks sophisticated in any color scheme.
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A flowing vertical style - not too feminine, not too masculine. This satin stitch monogram style is digitized from 19th Century artwork. Good choice for linens. A very much enlarged style - 8 or 9 inches - would look great on a shower curtain or pillow.
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There are left, middle and right versions of each embroidered letter, and in addition to the satin stitch letter each contains a section of a satin stitch swag, accented with candlewick stitches. Aligning the candlewick stitches in your embroidery software program will produce a continuous swag and a three-letter monogram. The center letter has an additional open ring detail at the top, and can be used alone. The artwork for this style is from the 1920s.
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A five-color monogram style - seeding stitch fill patterns with satin stitch and running stitch details - inspired by Art Deco movie posters - think "Miami Beach", Rudolf Valentino", "butter popcorn" (with real butter).
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This two-color monogram style is a recreation from the late 1930s.The background shading is composed of overlapping satin stitches, and the letter itself is a thin satin stitch - this style is equally elegant on linens in colors or tone-on-tone. Several of the letters were pictured in a 1938 article in "House Beautiful", and from those we were able to imagine the rest.
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A three-letter monogram in this style can be composed as a square or a diagonal arrangement - or align smaller size letters with a larger size letter flipped on its side. The fill is satin stitch, split into two sections with mitered corners, and with a thin satin stitch border. This three-color design can be simplified by sewing the letters with only one or two thread colors. This monogram style has a masculine quality.
This style is featured in "Hobknobbing" by Betsy Dubicki, Creative Machine Embroidery magazine, May/June 2003.
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This is a crisp and simple style from the 1940s. A combination of three letters, plus companion borders will create a square monogram. This style looks great on linens and towels, and can also be used for fashion sewing on a scarf or for an eye-catching embellishment on a jacket. While a standard monogram traditionally shows the last name initial as the largest, this style is designed to have that initial placed on the right.
Not everyone has three initials, so in addition to the combined triple border, we have included each of those three lines as an individual design, which will make it easy to create single letter and two-letter monograms.
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Taken from 1940s artwork, the letters are done in satin stitch. The monogram set includes a grouping of three dot accents, digitized to simulate a wing-needle look with a hole in the center of the circle. This versatile style can be used in a variety of arrangements - letters on a diagonal with the dots used as caps, on a baseline with the dots as flanking elements, or on a center line.
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This monogram style is digitized from American Arts and Crafts linotype styles from the 1920s. The letters are wide satin stitch, with a thin satin stitch outline as a border. The designs can be sewn with our without the border.
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This elegant monogram style, digitized from artwork from 1925, is influenced by the English Arts and Crafts movement. Unlike the architectural simplicity of the American Arts & Crafts movement, the English style features more flowers and flourishes. This five-color design features a chainstitch vine detail, a graceful satin stitch letter, and a three-color flower.
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This is another graceful monogram style digitized from artwork from the 1930s. There are left and right versions for each letter. The left hand version includes a stem and satin stitch leaves, a bright stylized flower, and two small circular accents. When combined with a letter from the right hand version, the combination creates a circular shape.
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Another monogram style influenced by the English Arts and Crafts movement. The artwork is from 1935. Designed as a single-letter monogram, each letter is presented with a five color flower - a stylized blue aster. The flower is made from satin and bean stitches, the flower petals outlined with bean stitches. The letters themselves are done in a curved block style, with a second color as a shadow or highlight, depending on the thread color used. The letters or the flower can each be easily used alone.
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The voids in the one-color fill pattern create roses - the pattern is different for each letter. Large, 1930s-inspired monogram letters look wonderful on linens, garments or special projects.
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Digitized from artwork from 1937, this monogram set combines thin vertical satin stitch letters with a festive border that is basically geometric, but with a bit of extra flare in the longest brackets - knobs at the ends. The brackets can be sewn in two colors as shown, with contrasting letter color, or everything can be sewn in one tone-on-tone color. Great for napkins.
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Handwork monograms from the 1920s and 1930s often combine a central outline initial with flanking smaller initials done in satin stitch. This style, taken from artwork originally produced in Europe for professional hand embroiderers, uses a center letter with shading details. The small ring-shaped corner detail creates a very classic look that is just as interesting white-on-white.
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This luxurious monogram style combines two-color central letters with satin stitch flanking letters and scrolled satin stitch corner brackets. The unusual fill in the larger letters is accomplished with a meandering vermicelli stitch -each stitch is digitized by hand. The result has a texture like chenille, and is finished with a thin satin stitch border.
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A French handwork monogram style from the 1870s, with digitized candlewicking details. This two-color design looks equally vibrant and traditional sewn tone-on-tone with one thread color.
The Candlewick Monogram Set was developed in collaboration with Susan Schrempf and Gail Tibbetts.
This monogram style is used in the Cover article "Fleece with Flair!" by Sandra Clark - Designs in Machine Embroidery magazine, January/February 2005.
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Paris in the 1930s - a truly international city that embraced art and culture from around the world. This monogram style from 1933 has an oriental flavor, stylish and elegant. This playful style would be perfect on chiffon pajamas.
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Digitized from artwork from 1939, this monogram set molds each letter into a circular shape. The satin stitch letters include curls and embellishments - an elegant formal style.
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Cutwork is an heirloom embroidery technique incorporating open areas into the overall design. In "Richelieu" cutwork, distinctive buttonhole bars cross the open areas. This handwork technique can be created by machine using heavy-duty water soluble stabilizer. The artwork for this monogram style comes from 1917.
Step-by-Step instructions are provided. For those not inclined to use the cutwork option this monogram style still looks beautiful.
Cutwork Instructions (pop-up window)
Download Printable Instructions (pdf)
This style is featured in Cutwork - from Store-Bought to Heirloom by Richards Jarden, Designs in Machine Embroidery magazine, September/October 2009.
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This Cutwork monogram style has a harvest theme. The artwork is from 1910. The satin stitch letters have a shadowed area made of manual seed stitches with a thin satin stitch border, and a three-color wheat embellishment. The open ladderwork areas within each letter can be used with heavy-duty water soluble stabilizer for a true cutwork effect.
We have introduced color changes to extend the design capabilities, but like many of our styles this monogram would traditionally be white-on-white.
Step-by-Step instructions are provided. For those not inclined to use the cutwork option this monogram style still looks beautiful.
Cutwork Instructions (pop-up window)
Download Printable Instructions (pdf)
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The artwork for this monogram style is from 1938. It is a blend of old world (open ladderwork borders) and new world (a simple contemporary letter style).
For a true cutwork effect, use heavy-duty water soluble stabilizer. This style is just as attractive without the open ladderwork, or the borders can have a fabric insert if executed as appliqué.
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In the 1930s and 40s, department stores like Woolworths sold iron-on transfer patterns for a wide variety or subject matter, including monogramming. The patterns could be transferred to fabric with a hot iron, and the pattern then used for hand embroidery. This style is based on one of those patterns. In addition to creating a three-letter diamond monogram, the smaller left and right flanking letters can be used together to create a two-letter diamond shape.
This style is featured in "Simply Napkins" by Gail Brown and Mary Mulari, Krause Publications, 2003.
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A three-letter diamond monogram is one of the all-time classic styles. This one is based on a vintage 1940s iron-on transfer pattern - sold in department stores for 15 cents. The appropriate left, middle, and right initials are combined within your embroidery software program, along with four corner brackets, to create your own timeless monogram.
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The artwork for this monogram style is French, from 1936. Each letter is cleverly adapted to create a diamond shape, and done in satin stitch. These are intended as single-initial monograms for use on napkins, linens, or fashion accessories.
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This powerful masculine monogram design is from the 1920s. The strong vertical orientation of the letters create an aura of high style from a time when designs of this type would have been found embroidered on dressing gowns, smoking jackets and plush towels. The design is digitized in satin stitch.
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A graceful old-fashioned monogram style, designed to create three-letter combinations that form an oval shape.
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Although this monogram style might typically be called "Old English" it comes from a continental source, so it would more accurately be called "Old French." The letters are done in satin stitch with underlay designed to give a dimensional rounded quality.
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This elaborate late 19th Century monogram style is a two-color design with leaf and vine details digitized as satin stitch and ample underlay for a rounded effect. Within the satin stitch letter borders is an unusual fill pattern composed of overlapping meandering running stitches with each individual stitch manually digitized and carefully placed. The fill simulates a hand-stitched seed stitch, and provides a luxurious texture whether executed in color or tone-on-tone.
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The artwork for this style was designed for hand embroiderers in 1879. We have adapted this very traditional monogram style for machine embroidery by adding an additional underlay column throughout, which simulates the look of padded satin stitch.
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This monogram style is from the United States, created in 1875 - one of our oldest historical styles. The letters are digitized in satin stitch.
1875 - a noteworthy year. The British government purchases the Suez Canal, Alexander Graham Bell achieves the technical breakthrough that will lead to the creation of an electric telephone, and the United States Congress passes a Civil Rights Act that guarantees blacks equal rights in public places.
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This monogram style is digitized from artwork published for hand embroiderers in 1869. The satin stitch letters are embellished with an overlapping satin stitch binding that simulates a knot. We first saw handwork examples of this style while on a research trip to the Embroiderer's Guild in England.
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This monogram style is based on Thomas Jefferson's embroidered monogram, which we came across in a 1930s magazine article. An upright style, composed of satin stitches with traditional flare details.
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This monogram style is perfect for that precocious child or grand-child on your gift list. Done in satin stitch with ample underlay - great on lots of things, from tote bags to towels. Create a special monogram for your favorite kid - or for the kid in you.
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19th Century artwork was used to digitize this script monogram style, done in two colors. The flowing, rounded satin stitch letters are punctuated by lattice details done in delicate satin stitch.
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This monogram style, based on artwork from 1864, is done in 3mm wide satin stitch. The elaborate intertwining loops and straight sections are reminiscent of carefully crafted architectural ironwork.
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A large classic one-color monogram style - great for towels! Brought up to date from actual 12th Century lettering styles (which did not include several letters in the modern alphabet - they weren't invented yet). This style suggests typography from the credits for black and white films about knights and maidens.
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Done in satin stitch, this monogram style from 1927 incorporates sweeping curves and a fresh feeling for the modern age. In architecture, noteworthy buildings in the Moderne style include the Bathers Building in San Francisco's Aquatic Park, and The De La Warr Pavilion, Bexhill-on-Sea, England.
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This monogram set is digitized in satin stitch from artwork produced in the 1910s. It has a very elastic style - the letters seem infused with an exuberant energy. They sew beautifully on linens.
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Digitized from artwork from the mid-1920s, this streamlined style is associated with crisp modern design - a similar version appeared on notecards in the 1939 film drama "Dark Victory". Done in satin stitch, we have split the wide column into two, which makes it easy to enlarge the letters in your embroidery software program for really large monograms on towels and shower curtains. Don't want two colors? Sew both with the same thread color.
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It's hard to find monogram styles with very wide columns, and even harder to find them done in a traditional way - satin stitch - rather than as a flat fill pattern. The artwork for this style is from the 1940s, and we have split each column into two parts for an unusual visual effect.
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From the 1940s, this monogram set is sleek, smooth, and thin. The satin stitch details are slightly fluted, widening gradually - reminiscent of elegant champagne glasses.
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Taken from artwork from 1908, this grecian monogram style is digitized with satin stitch columns in two colors. In addition to their use on linens, try enlarging these letters significantly within your embroidery software program for use on a pillow or a chairback.
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From the catalogue of a commercial monogram shop in the late 1930s, this modern style features satin stitch letters intended to create three-letter monograms in a slanted oval shape. The included placement design makes perfect placement of the letters quick and easy.
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This two-color script style is influenced by designs produced on old zig-zag stitch monogramming machines. The shadowed effect can be created with either color as the lighter highlight, or for a simpler look sew only the first color. The mirrored brackets are an option, and can be added for decorative effect.
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This monogram style is taken from one of the vintage monogrammed hankies in our Monogram Museum collection. The rounded satin stitch letters with curling Romanesque details are surrounded by an intricate flower and vine border, done in satin stitch, with a bow at the bottom. Although done as a two color design, this monogram looks wonderful when sewn white-on-white in all one color. The letters can be used alone by skipping over the border design.
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Based on artwork from the 1940s, this monogram style has a simple formal elegance. The two color crest design is done in satin stitch with a thin satin stitch outline, and the fluid upright letters are done in satin stitch with scroll details. Use the crest alone, or the letters alone, by skipping the unnecessary part.
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This monogram style is digitized from artwork from the 1930s. It consists of a 5 color decorative crest design, done in satin stitch with manually digitized fills for the two stylized flowers. The crest surrounds satin stitch letters that have different versions for left and right for use in two-letter monograms. The letters can be used without the crest.
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The artwork for this monogram style is late 19th Century - more than 100 years old ! A delicate vine motif creates the mood, and the elaborate letters complete it. The satin stitch letters can be used alone by skipping the first color.
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Inspired by the great typography designer J. M. Bergling (1866-1933) this fluid satin stitch nonogram style can be used with or without the brackets that complete the circular motif. Left, middle, and right versions of each letter are included, along with an additional placement template design.
A note about interlocking letters - a true interlocking three-letter monogram can only be achieved by custom digitizing. There are 17,576 possible combinations of three letters.The monogram pictured here is achieved by overlapping the letters. Where one letter passes over another, we suggest that some stitches be edited manually in your software to create the smoothest result.
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Rustic" doesn't have to mean "crude". In American architecture, country living and Art Deco styling came together in National Park Service buildings in the 1920s. This monogram style, done in satin stitch, is digitized from artwork of the period.
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Teen - $39.95
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These are decidedly modern monogram designs. This upbeat style has a musical quality - you can almost hear the beat! Wide satin stitch columns, split in half for enhanced sewing quality, are great on towels, fleece, sweaters - anything that teenagers use.
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We acquired a style book from an old monogram shop that went out of business. The book contains examples of the shop's offerings, showing only a few letters for each style. We were intrigued by a variation on a geometric triangle - this one has curling script letters that can be arranged in a three- letter triangle form, with brackets to accent the triangle shape. We recreated the rest of the alphabet, digitizing the letters in satin stitch. An outline template design is also included to make it quick and easy to place the letters when merging them in your embroidery software program.
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This monogram style has a charming young feminine quality - the curly 3 color border compliments the initials with their long curling tails. We have pictured two-letter monograms, but the initials can also be used individually, and enlarged within your embroidery resizing program if you prefer.
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Twig - $39.95
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In the late 19th Century, novelty monogram styles were very popular. The "rustic" life was celebrated even by people who had never been to the woods. In this style, digitized from historic artwork from the period, all of the letters are composed of twigs and leaves.
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Great for towels, the letters in this one-color monogram style have little horns and ears, and a distinct personality - also very elegant on white linens, sewn with white thread.
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Delicate, upright satin stitch monogram letters, with crossbars and flared feet and tops. A very elegant 1890s style.
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Another classic Victorian monogram style, digitized with plenty of underlay for a rounded look. The bottom of the long leg of each letter has a stylized leaf detail. This style looks wonderful on linens.
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This satin stitch monogram style is large and great on linens and towels. It also looks quite modern, espite the fact that the artwork, which we found in Europe, was published in 1872 - more than 130 years ago!
Digitizing this monogram style is the subject of "Digitizing Letters for Monograms Part I" by Richards Jarden, Designs in Machine Embroidery magazine, September/October 2007.
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This monogram style, with its wide satin stitch columns and open circle embellishment, has a fresh, festive quality. The artwork is from the early 20th Century. We have used extra underlay to give the columns a special rounded look.
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Digitized from artwork from 1910, this classic monogram style is done in satin stitch with extra underlay for a rounded look. The edges have scalloped piecrust details.
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